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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Johannes
Date Deutsch: um 1520-1530
English: c. 1520-1530
Medium Oil on panel
Dimensions Deutsch: 154 x 101 cm
cyf
Painting ID:: 79421
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Johannes
Date Deutsch: um 1520-1530
English: c. 1520-1530
Medium Oil on panel
Dimensions Deutsch: 154 x 101 cm
cyf
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Madonna of the Harpies
1517(1517)
Oil on wood
cjr
Painting ID:: 79525
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Madonna_of_the_Harpies
1517(1517)
Oil on wood
cjr
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Portrait of a Lady with a Book
1514(1514)
Medium Oil on wood
Dimensions Width: 69 cm (27.2 in). Height: 87 cm (34.3 in).
cyf
Painting ID:: 79527
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Portrait_of_a_Lady_with_a_Book
1514(1514)
Medium Oil on wood
Dimensions Width: 69 cm (27.2 in). Height: 87 cm (34.3 in).
cyf
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Madonna mit Heiligen und einem Engel
c. 1520-1530
Oil on panel
177 x 135 cm
cjr
Painting ID:: 79562
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Madonna_mit_Heiligen_und_einem_Engel
c. 1520-1530
Oil on panel
177 x 135 cm
cjr
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Madonna of the Harpies
1517(1517)
Oil on wood
Painting ID:: 79603
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Madonna_of_the_Harpies
1517(1517)
Oil on wood
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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