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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Madonna and Child with St
Medium Oil on panel
Dimensions 50.5 ?? 41.5 cm (19.9 ?? 16.3 in)
cyf
Painting ID:: 77611
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Madonna_and_Child_with_St
Medium Oil on panel
Dimensions 50.5 ?? 41.5 cm (19.9 ?? 16.3 in)
cyf
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Assumption of the Virgin
Date 1530(1530)
Medium Oil on wood
cyf
Painting ID:: 77613
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Assumption_of_the_Virgin
Date 1530(1530)
Medium Oil on wood
cyf
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Lamentation of Christ
ca. 1520(1520)
Medium Oil on wood
Dimensions Width: 120 cm (47.2 in). Height: 99 cm (39 in).
cyf
Painting ID:: 77658
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Lamentation_of_Christ
ca. 1520(1520)
Medium Oil on wood
Dimensions Width: 120 cm (47.2 in). Height: 99 cm (39 in).
cyf
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Beweinung Christi
c. 1519/1520
99 x 120 cm
cjr
Painting ID:: 77747
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Beweinung_Christi
c. 1519/1520
99 x 120 cm
cjr
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Der jugendliche Johannes
c. 1520-1530
Oil on canvas
cjr
Painting ID:: 77764
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Der_jugendliche_Johannes
c. 1520-1530
Oil on canvas
cjr
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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