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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Holy Family
1520(1520)
Oil on wood
Width: 105 cm (41.3 in). Height: 129 cm (50.8 in).
cjr
Painting ID:: 78322
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Holy_Family
1520(1520)
Oil on wood
Width: 105 cm (41.3 in). Height: 129 cm (50.8 in).
cjr
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Opferung Isaaks
ca. 1527(1527)
Oil on panel
213 x 159 cm
cjr
Painting ID:: 78397
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Opferung_Isaaks
ca. 1527(1527)
Oil on panel
213 x 159 cm
cjr
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Virgin and Child in Glory with Six Saints
ca. 1528(1528)
Medium Oil on wood
cyf
Painting ID:: 78509
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Virgin_and_Child_in_Glory_with_Six_Saints
ca. 1528(1528)
Medium Oil on wood
cyf
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Disputation on the Trinity
1517(1517)
Medium Oil on wood
cyf
Painting ID:: 78541
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Disputation_on_the_Trinity
1517(1517)
Medium Oil on wood
cyf
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Portrait of the Artists Wife
between 1513(1513) and 1514(1514)
Medium Oil on panel
cyf
Painting ID:: 78693
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Portrait_of_the_Artists_Wife
between 1513(1513) and 1514(1514)
Medium Oil on panel
cyf
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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