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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Virgin and Child in Glory with Six Saints
Date ca. 1528(1528)
Medium Oil on wood
cyf
Painting ID:: 76157
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Virgin_and_Child_in_Glory_with_Six_Saints
Date ca. 1528(1528)
Medium Oil on wood
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Madonna of the Harpies
Date 1517(1517)
Medium Oil on panel
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Painting ID:: 76409
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Madonna_of_the_Harpies
Date 1517(1517)
Medium Oil on panel
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Annunciation
Date ca. 1528(1528)
Medium Oil on wood
cyf
Painting ID:: 76466
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Annunciation
Date ca. 1528(1528)
Medium Oil on wood
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The Annunciation
Date ca. 1528(1528)
Medium Oil on wood
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Painting ID:: 76490
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The_Annunciation
Date ca. 1528(1528)
Medium Oil on wood
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Holy Family
Date ca. 1529(1529)
Medium Oil on wood
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Painting ID:: 76509
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Holy_Family
Date ca. 1529(1529)
Medium Oil on wood
cyf
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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