Andrea del Sarto Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
Madonna and Child with St Elisabeth, the Infant St John, and Two Angels Date between 1515(1515) and 1516(1516)
Medium Oil on wood
Dimensions Height: 141 cm (55.5 in). Width: 106 cm (41.7 in).
cjr
Painting ID:: 84475
Madonna_and_Child_with_St_Elisabeth,_the_Infant_St_John,_and_Two_Angels Date between 1515(1515) and 1516(1516)
Medium Oil on wood
Dimensions Height: 141 cm (55.5 in). Width: 106 cm (41.7 in).
cjr
Madonna and Child with Sts Catherine, Elisabeth and John the Baptist Date 1519(1519)
Medium Oil on canvas transferred from wood
Dimensions Height: 102 cm (40.2 in). Width: 80 cm (31.5 in).
cjr
Painting ID:: 84476
Madonna_and_Child_with_Sts_Catherine,_Elisabeth_and_John_the_Baptist Date 1519(1519)
Medium Oil on canvas transferred from wood
Dimensions Height: 102 cm (40.2 in). Width: 80 cm (31.5 in).
cjr
Andrea_del_Sarto Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,