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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Holy Family
1520(1520)
Medium Oil on wood
cyf
Painting ID:: 81395
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Holy_Family
1520(1520)
Medium Oil on wood
cyf
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Opferung Isaaks
. 1527(1527)
Medium Oil on panel
Dimensions 213 x 159 cm
cyf
Painting ID:: 81697
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Opferung_Isaaks
. 1527(1527)
Medium Oil on panel
Dimensions 213 x 159 cm
cyf
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Maria mit Kind und Johannesknaben
54 x 46 cm
late 16th century / early 17th century
cjr
Painting ID:: 82292
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Maria_mit_Kind_und_Johannesknaben
54 x 46 cm
late 16th century / early 17th century
cjr
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Madonna delle Arpie
1517(1517)
Medium Oil on panel
cyf
Painting ID:: 82416
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Madonna_delle_Arpie
1517(1517)
Medium Oil on panel
cyf
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Portrat eines jungen Mannes
English: after 1510
Medium Oil on canvas
Dimensions Deutsch: 72 x 57 cm
cyf
Painting ID:: 82474
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Portrat_eines_jungen_Mannes
English: after 1510
Medium Oil on canvas
Dimensions Deutsch: 72 x 57 cm
cyf
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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