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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Annunciation
ca. 1528(1528)
Medium Oil on wood
cyf
Painting ID:: 76519
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Annunciation
ca. 1528(1528)
Medium Oil on wood
cyf
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Virgin and Child in Glory with Six Saints
ca. 1528(1528)
Oil on wood
cjr
Painting ID:: 76630
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Virgin_and_Child_in_Glory_with_Six_Saints
ca. 1528(1528)
Oil on wood
cjr
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Disputation on the Trinity
1517(1517)
Oil on wood
193 cm (76 in). Height: 232 cm (91.3 in).
cjr
Painting ID:: 76653
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Disputation_on_the_Trinity
1517(1517)
Oil on wood
193 cm (76 in). Height: 232 cm (91.3 in).
cjr
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St John the Baptist
Date ca. 1523(1523)
Medium Oil on wood
cyf
Painting ID:: 77025
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St_John_the_Baptist
Date ca. 1523(1523)
Medium Oil on wood
cyf
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Selbstportrat
Deutsch: um 1520-1530
English: c. 1520-1530
Medium Oil on panel
Dimensions Deutsch: 88 x 67 cm
cyf
Painting ID:: 77141
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Selbstportrat
Deutsch: um 1520-1530
English: c. 1520-1530
Medium Oil on panel
Dimensions Deutsch: 88 x 67 cm
cyf
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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