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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Verkundigung
English: c. 1520-1530
Medium Oil on panel
cyf
Painting ID:: 82487
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Verkundigung
English: c. 1520-1530
Medium Oil on panel
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Madonna of the Harpies
1517(1517)
Medium Oil on wood
cyf
Painting ID:: 82492
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Madonna_of_the_Harpies
1517(1517)
Medium Oil on wood
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Assumption of the Virgin
1522-1523
Medium Oil on wood
cyf
Painting ID:: 82654
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Assumption_of_the_Virgin
1522-1523
Medium Oil on wood
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Disput ber die Dreifaltigkeit
1517 - 1518
Medium Oil on panel
Dimensions Deutsch: 232 x 194 cm
cyf
Painting ID:: 82689
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Disput_ber_die_Dreifaltigkeit
1517 - 1518
Medium Oil on panel
Dimensions Deutsch: 232 x 194 cm
cyf
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Madonna mit Heiligen und einem Engel
Oil on panel
Dimensions Deutsch: 177 x 135 cm
cyf
Painting ID:: 82722
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Madonna_mit_Heiligen_und_einem_Engel
Oil on panel
Dimensions Deutsch: 177 x 135 cm
cyf
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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