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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Madonna col Bambino, Santa Elisabetta e San Giovannino
c. 1529
Oil on wood
140 x 104 cm
Painting ID:: 71688
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Madonna_col_Bambino,_Santa_Elisabetta_e_San_Giovannino
c. 1529
Oil on wood
140 x 104 cm
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Madonna delle Arpie
1517(1517)
Oil on panel
178 cm (70.08 in). Height: 207 cm (81.5 in).
cjr
Painting ID:: 74882
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Madonna_delle_Arpie
1517(1517)
Oil on panel
178 cm (70.08 in). Height: 207 cm (81.5 in).
cjr
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Harpyienmadonna
1517
Oil on panel
207 X 178 cm (81.5 X 70.08 in)
cjr
Painting ID:: 74902
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Harpyienmadonna
1517
Oil on panel
207 X 178 cm (81.5 X 70.08 in)
cjr
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Selbstportrat
c. 1520-1530
Oil on panel
88 X 67 cm
cjr
Painting ID:: 75302
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Selbstportrat
c. 1520-1530
Oil on panel
88 X 67 cm
cjr
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Annunciation
Date between 1512(1512) and 1513(1513)
Medium Oil on wood
Dimensions Width: 184 cm (72.4 in). Height: 183 cm (72 in).
cyf
Painting ID:: 76145
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Annunciation
Date between 1512(1512) and 1513(1513)
Medium Oil on wood
Dimensions Width: 184 cm (72.4 in). Height: 183 cm (72 in).
cyf
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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