Oil Painting Artist::. Andrea del Sarto

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     Andrea del Sarto
    Italian High Renaissance Painter , 1486-1530 Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,

Andrea del Sarto Holy Family oil painting artist
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Holy Family
mk276 1520 Oil on canvas 129 x 105 cm National Museum of Art in Florence, DE

     Painting ID::  62053
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Holy_Family
mk276 1520 Oil on canvas 129 x 105 cm National Museum of Art in Florence, DE

Andrea del Sarto Our Lady of sub oil painting artist
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Our Lady of sub
mk276 1525 Oil on canvas 88 x 64cm Mexico City, San Carlos Museum

     Painting ID::  62054
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Our_Lady_of_sub
mk276 1525 Oil on canvas 88 x 64cm Mexico City, San Carlos Museum

Andrea del Sarto St James oil painting artist
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St James
159 x 86 cm Galleria degli Uffizi, Florence In this painting Andrea del Sarto appears to reflect on an archaising iconography in the style of Fra Bartolomeo. The figure is large and dominant, yet the proportions between the masses and the space are accurate. Even the extended spreading of the colours seems intended to lighten the weight of the figure, which due to the faint and uncertain light stands alone and isolated against the background surroundings. It is the standard of the Compagnia di San Jacopo del Nicchio. The two children wear the costume of the "battuti". It is a late work and very beautiful. The painting was restored in 1989.Artist:ANDREA DEL SARTO Title: St James Painted in 1501-1550 , Italian - - painting : religious

     Painting ID::  63542
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_James
159 x 86 cm Galleria degli Uffizi, Florence In this painting Andrea del Sarto appears to reflect on an archaising iconography in the style of Fra Bartolomeo. The figure is large and dominant, yet the proportions between the masses and the space are accurate. Even the extended spreading of the colours seems intended to lighten the weight of the figure, which due to the faint and uncertain light stands alone and isolated against the background surroundings. It is the standard of the Compagnia di San Jacopo del Nicchio. The two children wear the costume of the "battuti". It is a late work and very beautiful. The painting was restored in 1989.Artist:ANDREA DEL SARTO Title: St James Painted in 1501-1550 , Italian - - painting : religious

Andrea del Sarto Holy Family oil painting artist
 Click Image to Enlarge
Holy Family
1528 Oil on panel, 140 x 104 cm Galleria Nazionale d'Arte Antica, Rome In his biography of Andrea del Sarto, Vasari mentions this painting right after a panel of the same subject painted for Zanobi Bracci. The latter picture survives: given to Cardinal Ferdinando de Medici it is now in the Galleria Palatina at the Palazzo Pitti in Florence. The picture now in Rome, painted for the same Zanobi, was originally installed in the chapel of the Villa di Rovezzano. Numerous copies of this celebrated work exist. Art historians set the date of the composition at 1528-29, comparing it to the Madonna, St Elizabeth and St John the Baptist that Andrea executed for Ottaviano de' Medici. The figure of St Joseph is clearly related to the Raphaelesque model of the Louvre Sacred Family, once owned by King Fran?ois I.Artist:ANDREA DEL SARTO Title: Holy Family (Barberini) Painted in 1501-1550 , Italian - - painting : religious

     Painting ID::  63836
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Holy_Family
1528 Oil on panel, 140 x 104 cm Galleria Nazionale d'Arte Antica, Rome In his biography of Andrea del Sarto, Vasari mentions this painting right after a panel of the same subject painted for Zanobi Bracci. The latter picture survives: given to Cardinal Ferdinando de Medici it is now in the Galleria Palatina at the Palazzo Pitti in Florence. The picture now in Rome, painted for the same Zanobi, was originally installed in the chapel of the Villa di Rovezzano. Numerous copies of this celebrated work exist. Art historians set the date of the composition at 1528-29, comparing it to the Madonna, St Elizabeth and St John the Baptist that Andrea executed for Ottaviano de' Medici. The figure of St Joseph is clearly related to the Raphaelesque model of the Louvre Sacred Family, once owned by King Fran?ois I.Artist:ANDREA DEL SARTO Title: Holy Family (Barberini) Painted in 1501-1550 , Italian - - painting : religious

Andrea del Sarto Noli me tangere oil painting artist
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Noli me tangere
Medium Oil on wood Dimensions 176 X 155 cm

     Painting ID::  70329
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Noli_me_tangere
Medium Oil on wood Dimensions 176 X 155 cm

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     Andrea_del_Sarto
    Italian High Renaissance Painter , 1486-1530 Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,

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