Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Trials of Christ (mk36) oil painting artist
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Trials of Christ (mk36)
1481-1482 Vatican City,Sistine Chapel

     Painting ID::  25016
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Trials_of_Christ_(mk36)
1481-1482 Vatican City,Sistine Chapel

Sandro Botticelli Trials of Moses (mk36) oil painting artist
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Trials of Moses (mk36)
1481-1482 Detail of Moses removing his shoes.lVatican City.Sistine Chapel

     Painting ID::  25017
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Trials_of_Moses_(mk36)
1481-1482 Detail of Moses removing his shoes.lVatican City.Sistine Chapel

Sandro Botticelli Trals of Christ (mk36) oil painting artist
 Click Image to Enlarge
Trals of Christ (mk36)
details of young man wearing a mantle decorated with oak leaves,symbol of the Della Rovere family.

     Painting ID::  25018
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Trals_of_Christ_(mk36)
details of young man wearing a mantle decorated with oak leaves,symbol of the Della Rovere family.

Sandro Botticelli Trials of Christ (mk36) oil painting artist
 Click Image to Enlarge
Trials of Christ (mk36)
Details of girl carring firewood and putto with basket of grapes,Vatican City,Sistine Chapel

     Painting ID::  25019
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Trials_of_Christ_(mk36)
Details of girl carring firewood and putto with basket of grapes,Vatican City,Sistine Chapel

Sandro Botticelli Punishent of the Rebels (mk36) oil painting artist
 Click Image to Enlarge
Punishent of the Rebels (mk36)
c.1481 Details Vatican City,Sistine Chapel.

     Painting ID::  25020
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Punishent_of_the_Rebels_(mk36)
c.1481 Details Vatican City,Sistine Chapel.

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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