Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Gentile da Fabriano,Adoration of the Magi (mk36) oil painting artist
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Gentile da Fabriano,Adoration of the Magi (mk36)
1423 Florence,Galleria degli Uffizi

     Painting ID::  24995
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Gentile_da_Fabriano,Adoration_of_the_Magi_(mk36)
1423 Florence,Galleria degli Uffizi

Sandro Botticelli Benozzo Gozzoli, (mk36) oil painting artist
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Benozzo Gozzoli, (mk36)
Cavalcade of the MAGI 1450 Florence,Palazzo Medici Riccardi

     Painting ID::  24997
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Benozzo_Gozzoli,_(mk36)
Cavalcade of the MAGI 1450 Florence,Palazzo Medici Riccardi

Sandro Botticelli Adoration of the Magi (mk36) oil painting artist
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Adoration of the Magi (mk36)
1475-1476 Florence,Galleria degli Uffizi

     Painting ID::  24998
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Adoration_of_the_Magi_(mk36)
1475-1476 Florence,Galleria degli Uffizi

Sandro Botticelli Young man in a Yellow mantle (mk36) oil painting artist
 Click Image to Enlarge
Young man in a Yellow mantle (mk36)
Datail of the Adoration of the Magi

     Painting ID::  24999
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Young_man_in_a_Yellow_mantle_(mk36)
Datail of the Adoration of the Magi

Sandro Botticelli Pontormo,portrait of Cosimo the Elder (mk36) oil painting artist
 Click Image to Enlarge
Pontormo,portrait of Cosimo the Elder (mk36)
1519-1520 Florence,Galleria degli Uffizi

     Painting ID::  25000
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Pontormo,portrait_of_Cosimo_the_Elder_(mk36)
1519-1520 Florence,Galleria degli Uffizi

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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