Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli St Augustine in his Study (mk36) oil painting artist
 Click Image to Enlarge
St Augustine in his Study (mk36)
c.1480 Detached fresco,Florence,Ognissanti

     Painting ID::  25001
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustine_in_his_Study_(mk36)
c.1480 Detached fresco,Florence,Ognissanti

Sandro Botticelli Domenico Ghirlandaio,St Jerome in his Study (m,k36) oil painting artist
 Click Image to Enlarge
Domenico Ghirlandaio,St Jerome in his Study (m,k36)
c.1480 Detached fresco,Florence,Ognissanti

     Painting ID::  25002
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Domenico_Ghirlandaio,St_Jerome_in_his_Study_(m,k36)
c.1480 Detached fresco,Florence,Ognissanti

Sandro Botticelli Details of  St Augustine in his Study (mk36) oil painting artist
 Click Image to Enlarge
Details of St Augustine in his Study (mk36)

     Painting ID::  25003
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Details_of__St_Augustine_in_his_Study_(mk36)

Sandro Botticelli St Augustine in his Study (mk36) oil painting artist
 Click Image to Enlarge
St Augustine in his Study (mk36)
c.1480 Detail of the Vespucci coat-of-arms Florence,Ognissanti

     Painting ID::  25004
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustine_in_his_Study_(mk36)
c.1480 Detail of the Vespucci coat-of-arms Florence,Ognissanti

Sandro Botticelli St Augustione in his Study (mk36) oil painting artist
 Click Image to Enlarge
St Augustione in his Study (mk36)
c.1480 Details of lectern with open book. Florence,Ognissanti

     Painting ID::  25005
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustione_in_his_Study_(mk36)
c.1480 Details of lectern with open book. Florence,Ognissanti

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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