Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Novella di Nastagio degli onesti (mk36) oil painting artist
 Click Image to Enlarge
Novella di Nastagio degli onesti (mk36)
Nastagio flees horrified in the forest 1483 Madrid,Prado Museum

     Painting ID::  25031
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Novella_di_Nastagio_degli_onesti_(mk36)
Nastagio flees horrified in the forest 1483 Madrid,Prado Museum

Sandro Botticelli Novella di Nastogio degli Onesti (mk36) oil painting artist
 Click Image to Enlarge
Novella di Nastogio degli Onesti (mk36)
Vision of Nastagio in the forest (1483) Detail of the ferocious Guido degli Anastagi Madrid,Prado Museum.

     Painting ID::  25032
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Novella_di_Nastogio_degli_Onesti_(mk36)
Vision of Nastagio in the forest (1483) Detail of the ferocious Guido degli Anastagi Madrid,Prado Museum.

Sandro Botticelli Novella di Nastagio degli Onesti (mk36) oil painting artist
 Click Image to Enlarge
Novella di Nastagio degli Onesti (mk36)
Banquet held by Nastagio and return

     Painting ID::  25033
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Novella_di_Nastagio_degli_Onesti_(mk36)
Banquet held by Nastagio and return

Sandro Botticelli Novella di Nastagio degli Onesti (mk36) oil painting artist
 Click Image to Enlarge
Novella di Nastagio degli Onesti (mk36)
Banquet held by Nastagio and return of the vision 1483 Madrid Prado Museum

     Painting ID::  25035
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Novella_di_Nastagio_degli_Onesti_(mk36)
Banquet held by Nastagio and return of the vision 1483 Madrid Prado Museum

Sandro Botticelli Novella di Nastagio degli Onesti (mk36) oil painting artist
 Click Image to Enlarge
Novella di Nastagio degli Onesti (mk36)
Nastagio's wedding banquest 1483

     Painting ID::  25036
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Novella_di_Nastagio_degli_Onesti_(mk36)
Nastagio's wedding banquest 1483

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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