Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli St Augustine in his Study (mk36) oil painting artist
 Click Image to Enlarge
St Augustine in his Study (mk36)
c.1480 Detail of the armillary sphere Florence,Ognissanti

     Painting ID::  25006
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustine_in_his_Study_(mk36)
c.1480 Detail of the armillary sphere Florence,Ognissanti

Sandro Botticelli Annunciation of San Martino alla Scala (mk36) oil painting artist
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Annunciation of San Martino alla Scala (mk36)
1481 Florence,Galleria degli Uffizi

     Painting ID::  25007
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Annunciation_of_San_Martino_alla_Scala_(mk36)
1481 Florence,Galleria degli Uffizi

Sandro Botticelli Madonna and child or Madonna of the Bood (mk36) oil painting artist
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Madonna and child or Madonna of the Bood (mk36)
1480-1481 Milan,museo Poldi Pezzoli

     Painting ID::  25008
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_and_child_or_Madonna_of_the_Bood_(mk36)
1480-1481 Milan,museo Poldi Pezzoli

Sandro Botticelli Portrait of Dante Alighieri (mk36) oil painting artist
 Click Image to Enlarge
Portrait of Dante Alighieri (mk36)
1490-1495 Le grand cologny,

     Painting ID::  25009
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Dante_Alighieri_(mk36)
1490-1495 Le grand cologny,

Sandro Botticelli The infernal Abyss (mk36) oil painting artist
 Click Image to Enlarge
The infernal Abyss (mk36)
1481-1487 Vatican City. Biblioteca Apostolica Vaticanva

     Painting ID::  25010
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_infernal_Abyss_(mk36)
1481-1487 Vatican City. Biblioteca Apostolica Vaticanva

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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