Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Punishment of the Rebels (mk36) oil painting artist
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Punishment of the Rebels (mk36)
c.1481 Vatican City,Sistine Chapel.

     Painting ID::  25021
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Punishment_of_the_Rebels_(mk36)
c.1481 Vatican City,Sistine Chapel.

Sandro Botticelli Adoration of the Magi (mk36) oil painting artist
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Adoration of the Magi (mk36)
c.1482 Washington .National Gallery of Art

     Painting ID::  25023
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Adoration_of_the_Magi_(mk36)
c.1482 Washington .National Gallery of Art

Sandro Botticelli Madonna and Child with eight Angels or Raczinskj Tondo (mk36) oil painting artist
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Madonna and Child with eight Angels or Raczinskj Tondo (mk36)
1482-1483 Berlin,Staatliche Museen, Gemaldegalerie

     Painting ID::  25024
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_and_Child_with_eight_Angels_or_Raczinskj_Tondo_(mk36)
1482-1483 Berlin,Staatliche Museen, Gemaldegalerie

Sandro Botticelli Domenico Ghirlandaio and Assistants,The Roman heroes Decius Mure,Scipio and Cicero (mk36) oil painting artist
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Domenico Ghirlandaio and Assistants,The Roman heroes Decius Mure,Scipio and Cicero (mk36)
c.1482 Forence,Palazzo della Signoria,Sala dei Gigli

     Painting ID::  25025
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Domenico_Ghirlandaio_and_Assistants,The_Roman_heroes_Decius_Mure,Scipio_and_Cicero_(mk36)
c.1482 Forence,Palazzo della Signoria,Sala dei Gigli

Sandro Botticelli Novella di Nastagio degli onesti (mk36) oil painting artist
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Novella di Nastagio degli onesti (mk36)
Vision of Nastagio in the forest (1483) Madrid,Prado museum

     Painting ID::  25030
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Novella_di_Nastagio_degli_onesti_(mk36)
Vision of Nastagio in the forest (1483) Madrid,Prado museum

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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