Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Adoation of the Magi (mk36) oil painting artist
 Click Image to Enlarge
Adoation of the Magi (mk36)
1475-1476 Standing on left Florence,Galleria degli Uffizi

     Painting ID::  24990
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Adoation_of_the_Magi_(mk36)
1475-1476 Standing on left Florence,Galleria degli Uffizi

Sandro Botticelli Giorgio Vasari,Portrait of Lorenzo the Magnificent (mk36) oil painting artist
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Giorgio Vasari,Portrait of Lorenzo the Magnificent (mk36)
1534 Florence,Galleria degli Uffizi

     Painting ID::  24991
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Giorgio_Vasari,Portrait_of_Lorenzo_the_Magnificent_(mk36)
1534 Florence,Galleria degli Uffizi

Sandro Botticelli Portrait of Giuliano de'Medici (mk36) oil painting artist
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Portrait of Giuliano de'Medici (mk36)
c.1478 Washington,National Gallery of Art

     Painting ID::  24992
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Giuliano_de'Medici_(mk36)
c.1478 Washington,National Gallery of Art

Sandro Botticelli Mago wearing a red mantle (mk36) oil painting artist
 Click Image to Enlarge
Mago wearing a red mantle (mk36)
Older kneeling Mago personage wearing a green mantle,

     Painting ID::  24993
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Mago_wearing_a_red_mantle_(mk36)
Older kneeling Mago personage wearing a green mantle,

Sandro Botticelli Young kneeling Mago (mk36) oil painting artist
 Click Image to Enlarge
Young kneeling Mago (mk36)
man in a short black tunic,Stanking on the right

     Painting ID::  24994
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Young_kneeling_Mago_(mk36)
man in a short black tunic,Stanking on the right

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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