Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Fortitude (mk36) oil painting artist
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Fortitude (mk36)
1470 Florence ,Galleria degli Uffizi

     Painting ID::  24975
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Fortitude_(mk36)
1470 Florence ,Galleria degli Uffizi

Sandro Botticelli Details of Fortitude (mk36) oil painting artist
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Details of Fortitude (mk36)
c.1472 Florence,Galleria deglu Uffizi

     Painting ID::  24976
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Details_of_Fortitude_(mk36)
c.1472 Florence,Galleria deglu Uffizi

Sandro Botticelli Discovery of the Body of Holofernes (mk36) oil painting artist
 Click Image to Enlarge
Discovery of the Body of Holofernes (mk36)
c.1472 Florence,Galleria degli Uffizi

     Painting ID::  24977
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Discovery_of_the_Body_of_Holofernes_(mk36)
c.1472 Florence,Galleria degli Uffizi

Sandro Botticelli Return of Judith to Betulia (mk36) oil painting artist
 Click Image to Enlarge
Return of Judith to Betulia (mk36)
c.1472 Florence,Galleria degli Uffizi

     Painting ID::  24978
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Return_of_Judith_to_Betulia_(mk36)
c.1472 Florence,Galleria degli Uffizi

Sandro Botticelli Antonio del Pollaiolo Hercules and Antaeus (mk36) oil painting artist
 Click Image to Enlarge
Antonio del Pollaiolo Hercules and Antaeus (mk36)
c.1745 Florence,Galleria degli Uffizi

     Painting ID::  24979
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Antonio_del_Pollaiolo_Hercules_and_Antaeus_(mk36)
c.1745 Florence,Galleria degli Uffizi

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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