Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli workshop picture out of the series the story of the Anastasius degli Onesti oil painting artist
 Click Image to Enlarge
workshop picture out of the series the story of the Anastasius degli Onesti
mk186 around 1483 Madrids, Museo del Prado

     Painting ID::  45437
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  workshop_picture_out_of_the_series_the_story_of_the_Anastasius_degli_Onesti
mk186 around 1483 Madrids, Museo del Prado

Sandro Botticelli The novel of the Anastasius degli Onesti the wedding banquet oil painting artist
 Click Image to Enlarge
The novel of the Anastasius degli Onesti the wedding banquet
mk186 1483

     Painting ID::  45677
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_novel_of_the_Anastasius_degli_Onesti_the_wedding_banquet
mk186 1483

Sandro Botticelli Minerva and the Kentaur oil painting artist
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Minerva and the Kentaur
mk178 around 1485 Tempera on wood 207x148cm

     Painting ID::  45881
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Minerva_and_the_Kentaur
mk178 around 1485 Tempera on wood 207x148cm

Sandro Botticelli The Annunciation oil painting artist
 Click Image to Enlarge
The Annunciation
nn09 c.1489-90 Tempera on wood 150x156cm

     Painting ID::  51690
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Annunciation
nn09 c.1489-90 Tempera on wood 150x156cm

Sandro Botticelli Mystic Nativity oil painting artist
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Mystic Nativity
nn09 c.1500 Tempera on canvas 108.5x75cm

     Painting ID::  51697
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Mystic_Nativity
nn09 c.1500 Tempera on canvas 108.5x75cm

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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