Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli La Anunciacion oil painting artist
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La Anunciacion
mk166 1489 Tempera on board of wood 150x156cm

     Painting ID::  41947
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  La_Anunciacion
mk166 1489 Tempera on board of wood 150x156cm

Sandro Botticelli The Madonna and the Nino with angeles oil painting artist
 Click Image to Enlarge
The Madonna and the Nino with angeles
mk166 1481-1485 Tempera on board of wood, tondo 118cm of diametor, Uffizi, Florence

     Painting ID::  41960
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Madonna_and_the_Nino_with_angeles
mk166 1481-1485 Tempera on board of wood, tondo 118cm of diametor, Uffizi, Florence

Sandro Botticelli The Madonna and the Nino with angeles oil painting artist
 Click Image to Enlarge
The Madonna and the Nino with angeles
mk166 1487 Tempera on board of wood 143,5cm of diametro Uffizi Florence

     Painting ID::  41961
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Madonna_and_the_Nino_with_angeles
mk166 1487 Tempera on board of wood 143,5cm of diametro Uffizi Florence

Sandro Botticelli The birth of Venus oil painting artist
 Click Image to Enlarge
The birth of Venus
mk166 Between1484 and 1486 Board of wood 180x280cm Uffizi, Florence

     Painting ID::  42009
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_birth_of_Venus
mk166 Between1484 and 1486 Board of wood 180x280cm Uffizi, Florence

Sandro Botticelli The Madonna of the premonition oil painting artist
 Click Image to Enlarge
The Madonna of the premonition
mk166 Poldi Pezzoli Milan

     Painting ID::  42013
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Madonna_of_the_premonition
mk166 Poldi Pezzoli Milan

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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