Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli The Story of Lucretia oil painting artist
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The Story of Lucretia
1496-1504 Tempera on panel, 83,5 x 180 cm

     Painting ID::  52414
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Story_of_Lucretia
1496-1504 Tempera on panel, 83,5 x 180 cm

Sandro Botticelli Venus and the Three Graces Presenting Gifts to a Young Woman oil painting artist
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Venus and the Three Graces Presenting Gifts to a Young Woman
c. 1484 Fresco transferred to canvas, 211 x 284 cm

     Painting ID::  52415
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Venus_and_the_Three_Graces_Presenting_Gifts_to_a_Young_Woman
c. 1484 Fresco transferred to canvas, 211 x 284 cm

Sandro Botticelli A Young Man Being Introduced to the Seven Liberal Arts oil painting artist
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A Young Man Being Introduced to the Seven Liberal Arts
c. 1484 Fresco transferred to canvas, 238 x 284 cm

     Painting ID::  52416
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  A_Young_Man_Being_Introduced_to_the_Seven_Liberal_Arts
c. 1484 Fresco transferred to canvas, 238 x 284 cm

Sandro Botticelli St Sixtus II oil painting artist
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St Sixtus II
1481 Fresco, 210 x 80 cm

     Painting ID::  52417
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Sixtus_II
1481 Fresco, 210 x 80 cm

Sandro Botticelli Venus Fodor oil painting artist
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Venus Fodor
mk234 ca 1485-86 175x280cm

     Painting ID::  53692
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Venus_Fodor
mk234 ca 1485-86 175x280cm

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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