Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Konungarnas worship oil painting artist
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Konungarnas worship
mk234 ca.1485-86 175x280cm

     Painting ID::  53693
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Konungarnas_worship
mk234 ca.1485-86 175x280cm

Sandro Botticelli la primavera oil painting artist
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la primavera
mk247 c.1478.tempera on poplar,80x123.5 in,203x314 cm,uffizi,florence,ltaly

     Painting ID::  55963
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  la_primavera
mk247 c.1478.tempera on poplar,80x123.5 in,203x314 cm,uffizi,florence,ltaly

Sandro Botticelli birth of venus oil painting artist
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birth of venus
mk247 1482 to 86,tempera on canvas,68x109.5 in,172.5x278.5 cm,uffizi,florence,ltaly

     Painting ID::  55971
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  birth_of_venus
mk247 1482 to 86,tempera on canvas,68x109.5 in,172.5x278.5 cm,uffizi,florence,ltaly

Sandro Botticelli st.augustine in the cell oil painting artist
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st.augustine in the cell
mk247 1490 to 94,tempera on panel,16x10.5 in,41x27 cm ,uffizi,florence,ltaly

     Painting ID::  55978
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  st.augustine_in_the_cell
mk247 1490 to 94,tempera on panel,16x10.5 in,41x27 cm ,uffizi,florence,ltaly

Sandro Botticelli calumny of apelles oil painting artist
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calumny of apelles
mk247 1494 to 95 ,tempera on wood panel,24.25x35.75 in,61x91 cm,uffizi,florence,ltaly

     Painting ID::  55979
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  calumny_of_apelles
mk247 1494 to 95 ,tempera on wood panel,24.25x35.75 in,61x91 cm,uffizi,florence,ltaly

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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