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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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Primavera
mk142
ca.1478
Tempera on panel
203x314cm
Painting ID:: 39028
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Primavera
mk142
ca.1478
Tempera on panel
203x314cm
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Leontium and Ternissa
mk142
Oil on canvas
145.3x127cm
Painting ID:: 39029
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Leontium_and_Ternissa
mk142
Oil on canvas
145.3x127cm
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Adoration of the Kings
mk156
c.1470-1475
Tempera on poplar
Painting ID:: 40230
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Adoration_of_the_Kings
mk156
c.1470-1475
Tempera on poplar
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Primavera
mk156
c.1478
Tempera on panel
203x314cm
Painting ID:: 40248
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Primavera
mk156
c.1478
Tempera on panel
203x314cm
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Madonna of the Magnificat
mk156
c.1483
Tempera on wood
Tondo
Painting ID:: 40253
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Madonna_of_the_Magnificat
mk156
c.1483
Tempera on wood
Tondo
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Sandro_Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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