Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli The Birth of Venus oil painting artist
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The Birth of Venus
mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence.

     Painting ID::  56805
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Birth_of_Venus
mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence.

Sandro Botticelli Portrait of youth oil painting artist
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Portrait of youth
mk250 Year 80 in the early 15th century. Wood color eggs, 40.6 x 30.5 cm Washington National Gallery.

     Painting ID::  56806
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_youth
mk250 Year 80 in the early 15th century. Wood color eggs, 40.6 x 30.5 cm Washington National Gallery.

Sandro Botticelli Portrait Cosimo old gentleman oil painting artist
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Portrait Cosimo old gentleman
the mk261 Florence, the Ukrainian Fiji art museum in 1890 numbered 1488.

     Painting ID::  58144
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_Cosimo_old_gentleman
the mk261 Florence, the Ukrainian Fiji art museum in 1890 numbered 1488.

Sandro Botticelli Our Lady of the Annunciation oil painting artist
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Our Lady of the Annunciation
mk261 Florence, the Ukrainian Fiji art museum, the warehouse numbers 201.

     Painting ID::  58155
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Our_Lady_of_the_Annunciation
mk261 Florence, the Ukrainian Fiji art museum, the warehouse numbers 201.

Sandro Botticelli pallade e il centauro oil painting artist
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pallade e il centauro
mk261 firenze 1482 ca tempera su tela cm 207 x148 firenze, galleria degli, inv depositi n 29

     Painting ID::  58311
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  pallade_e_il_centauro
mk261 firenze 1482 ca tempera su tela cm 207 x148 firenze, galleria degli, inv depositi n 29

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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