Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli The Birth of Venus (mk36) oil painting artist
 Click Image to Enlarge
The Birth of Venus (mk36)
1484-1485 Detail of Venus, Florence,Galleria degli Uffizi

     Painting ID::  25060
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Birth_of_Venus_(mk36)
1484-1485 Detail of Venus, Florence,Galleria degli Uffizi

Sandro Botticelli The Birth of Venus (mk36) oil painting artist
 Click Image to Enlarge
The Birth of Venus (mk36)
1484-1485 details of the Hour holdijng out to Venus a flowery red mantle. Florence,Galleria degli Uffizi

     Painting ID::  25062
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Birth_of_Venus_(mk36)
1484-1485 details of the Hour holdijng out to Venus a flowery red mantle. Florence,Galleria degli Uffizi

Sandro Botticelli Pallas and the Centaur (mk36) oil painting artist
 Click Image to Enlarge
Pallas and the Centaur (mk36)
1482-1485 details of the centaur and whole painting. Florence,Galleria degli Uffizi

     Painting ID::  25064
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Pallas_and_the_Centaur_(mk36)
1482-1485 details of the centaur and whole painting. Florence,Galleria degli Uffizi

Sandro Botticelli Details of Pallas and the Centaur (mk36) oil painting artist
 Click Image to Enlarge
Details of Pallas and the Centaur (mk36)

     Painting ID::  25065
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Details_of_Pallas_and_the_Centaur_(mk36)

Sandro Botticelli Venus and Mars (mk36) oil painting artist
 Click Image to Enlarge
Venus and Mars (mk36)
c.1483 details of Mars and satyr with breastplate.London,National Gallery

     Painting ID::  25066
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Venus_and_Mars_(mk36)
c.1483 details of Mars and satyr with breastplate.London,National Gallery

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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