Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Madonna and Child in Glory with Cherubim (mk36) oil painting artist
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Madonna and Child in Glory with Cherubim (mk36)
1469-1470 Florence,Galleria degli Uffizi

     Painting ID::  24965
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_and_Child_in_Glory_with_Cherubim_(mk36)
1469-1470 Florence,Galleria degli Uffizi

Sandro Botticelli filippo lippi,Adoration of the Magi (mk36) oil painting artist
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filippo lippi,Adoration of the Magi (mk36)
c.1445 Washington,National Gallery of Art

     Painting ID::  24966
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  filippo_lippi,Adoration_of_the_Magi_(mk36)
c.1445 Washington,National Gallery of Art

Sandro Botticelli Madonna and Child with St John and two Saints (mk36) oil painting artist
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Madonna and Child with St John and two Saints (mk36)
1468-1469 Florence,Galleria dell'Accademia

     Painting ID::  24967
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_and_Child_with_St_John_and_two_Saints_(mk36)
1468-1469 Florence,Galleria dell'Accademia

Sandro Botticelli Modonna and Child (mk36) oil painting artist
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Modonna and Child (mk36)
c.1470 Florence,Galleria degli Uffizi

     Painting ID::  24968
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Modonna_and_Child_(mk36)
c.1470 Florence,Galleria degli Uffizi

Sandro Botticelli Madonna and Child with two Angels (mk36) oil painting artist
 Click Image to Enlarge
Madonna and Child with two Angels (mk36)
1468-1469 Naples,Galleria Nazionale di Capodimonte

     Painting ID::  24969
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_and_Child_with_two_Angels_(mk36)
1468-1469 Naples,Galleria Nazionale di Capodimonte

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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