Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Pallas and the Centaur oil painting artist
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Pallas and the Centaur
mk86 c.1482 Tempera on canvas 207x148cm Florence.Galleria degli Uffizi

     Painting ID::  33370
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Pallas_and_the_Centaur
mk86 c.1482 Tempera on canvas 207x148cm Florence.Galleria degli Uffizi

Sandro Botticelli Venus and Mars oil painting artist
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Venus and Mars
mk86 c.1480 Tempera on wood 69x174cm London,Ntional Gallery

     Painting ID::  33389
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Venus_and_Mars
mk86 c.1480 Tempera on wood 69x174cm London,Ntional Gallery

Sandro Botticelli Madonna del Magnificat oil painting artist
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Madonna del Magnificat
mk86 c.1481/82 Tempera on wood diameter 115cm Florence,Galleria degli Uffizi

     Painting ID::  33390
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_del_Magnificat
mk86 c.1481/82 Tempera on wood diameter 115cm Florence,Galleria degli Uffizi

Sandro Botticelli Pieta oil painting artist
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Pieta
mk86 after1490 Tempera on wood 140x207cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek

     Painting ID::  33391
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Pieta
mk86 after1490 Tempera on wood 140x207cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek

Sandro Botticelli La Primavera oil painting artist
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La Primavera
mk86 c.1477/78 Tempera on wood 203x314cm Florence,Galleria degli Uffizi.

     Painting ID::  33392
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  La_Primavera
mk86 c.1477/78 Tempera on wood 203x314cm Florence,Galleria degli Uffizi.

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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