Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli The Birth of Venus oil painting artist
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The Birth of Venus
mk86 c.1485 Tempera on canvas 172.5x278.5cm Florence,Galleria degli Uffizi

     Painting ID::  33393
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Birth_of_Venus
mk86 c.1485 Tempera on canvas 172.5x278.5cm Florence,Galleria degli Uffizi

Sandro Botticelli The Verkundigung oil painting artist
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The Verkundigung
mk137 ca.1489-1490 Tempera on wood chalkboard 150x156cm Galleria degli Uffizi, Florence

     Painting ID::  38442
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Verkundigung
mk137 ca.1489-1490 Tempera on wood chalkboard 150x156cm Galleria degli Uffizi, Florence

Sandro Botticelli The adoration of the Konige oil painting artist
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The adoration of the Konige
mk137 ca.1470-1475 Tempera on Pappelholz,Tondo,Durchmesser:130.8cm The nationally Gallery, London

     Painting ID::  38462
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_adoration_of_the_Konige
mk137 ca.1470-1475 Tempera on Pappelholz,Tondo,Durchmesser:130.8cm The nationally Gallery, London

Sandro Botticelli Portrat of Giuliano de-Medici oil painting artist
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Portrat of Giuliano de-Medici
mk137 1478-1480 Tempera on wood chalkboard 75.5x52.5cm nationally Gallery of type Washington, D. C

     Painting ID::  38471
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_of_Giuliano_de-Medici
mk137 1478-1480 Tempera on wood chalkboard 75.5x52.5cm nationally Gallery of type Washington, D. C

Sandro Botticelli Portrat of Dante oil painting artist
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Portrat of Dante
mk137 1485 Tempera on linen 54.7x47.5cm

     Painting ID::  38485
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_of_Dante
mk137 1485 Tempera on linen 54.7x47.5cm

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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