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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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Mystic Nativity
1501
detail of angels with Crowns and Scrolls(above) and wise men (below) London,National Gallery (mk57)
Painting ID:: 27051
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Mystic_Nativity
1501
detail of angels with Crowns and Scrolls(above) and wise men (below) London,National Gallery (mk57)
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Stories of St Zanobius Last Miracle:dead child revived by the Deacons Eugenius and Crescentius
1495-1500
detail with grotesque motifs.Dresden,Staatliche Kunstsammlungen Gemaldegalerie Alte Meister. (mk57)
Painting ID:: 27052
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Stories_of_St_Zanobius_Last_Miracle:dead_child_revived_by_the_Deacons_Eugenius_and_Crescentius
1495-1500
detail with grotesque motifs.Dresden,Staatliche Kunstsammlungen Gemaldegalerie Alte Meister. (mk57)
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Baptism,renunciation of Marriage,appointment as bishop
Painting ID:: 27053
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Baptism,renunciation_of_Marriage,appointment_as_bishop
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Three Miracles of St Zanobius:driving the demon out of two youths,reviving a dead child,restoring sight to a blind man
c 1495-1500
London,National Gallery (mk57)
Painting ID:: 27055
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Three_Miracles_of_St_Zanobius:driving_the_demon_out_of_two_youths,reviving_a_dead_child,restoring_sight_to_a_blind_man
c 1495-1500
London,National Gallery (mk57)
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Three miracles of St Zanobius,reviving the dead
1495-1500
New York,Metropolitan Museum of Art. (mk57)
Painting ID:: 27056
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Three_miracles_of_St_Zanobius,reviving_the_dead
1495-1500
New York,Metropolitan Museum of Art. (mk57)
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Sandro_Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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