Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Calumny oil painting artist
 Click Image to Enlarge
Calumny
c 1494 Florence,Galleria degli Uffizi (mk57)

     Painting ID::  27039
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Calumny
c 1494 Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli Calumny oil painting artist
 Click Image to Enlarge
Calumny
c 1494 detail of the slandered man dragged by the hair by calumny.Florence,Galleria degli Uffizi (mk57)

     Painting ID::  27040
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Calumny
c 1494 detail of the slandered man dragged by the hair by calumny.Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli Calumny oil painting artist
 Click Image to Enlarge
Calumny
c 1494 detail of king Midas seated on his throne,surrounded by Suspicion and lgnorance.Florence,Galleria degli Uffizi. (mk57)

     Painting ID::  27041
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Calumny
c 1494 detail of king Midas seated on his throne,surrounded by Suspicion and lgnorance.Florence,Galleria degli Uffizi. (mk57)

Sandro Botticelli Portrait of Michele Marullo oil painting artist
 Click Image to Enlarge
Portrait of Michele Marullo
1496-1497 Barcelona,Cambo de Guardans Collection (mk57)

     Painting ID::  27042
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Michele_Marullo
1496-1497 Barcelona,Cambo de Guardans Collection (mk57)

Sandro Botticelli Portrait of Lorenzo de'Lorenzi oil painting artist
 Click Image to Enlarge
Portrait of Lorenzo de'Lorenzi
c 1498 Philadelphia,Museum of Art (mk57)

     Painting ID::  27043
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Lorenzo_de'Lorenzi
c 1498 Philadelphia,Museum of Art (mk57)

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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