Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Judith with the Head of Holofemes oil painting artist
 Click Image to Enlarge
Judith with the Head of Holofemes
1494-1496 Amsterdam,Rijksmuseum (mk57)

     Painting ID::  27044
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Judith_with_the_Head_of_Holofemes
1494-1496 Amsterdam,Rijksmuseum (mk57)

Sandro Botticelli Transfiguration,with St Jerome(at left) and St Augustine(at right) oil painting artist
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Transfiguration,with St Jerome(at left) and St Augustine(at right)
c 1500 Rome,Galleria Pallavicini (mk57)

     Painting ID::  27045
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Transfiguration,with_St_Jerome(at_left)_and_St_Augustine(at_right)
c 1500 Rome,Galleria Pallavicini (mk57)

Sandro Botticelli Prayer in the Garden oil painting artist
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Prayer in the Garden
1498-1500 Granada,Capilla de los Reyes (mk57)

     Painting ID::  27046
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Prayer_in_the_Garden
1498-1500 Granada,Capilla de los Reyes (mk57)

Sandro Botticelli Mystic Nativity oil painting artist
 Click Image to Enlarge
Mystic Nativity
1501 while and detail of embracing angels and men London,National Gallery (mk57)

     Painting ID::  27048
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Mystic_Nativity
1501 while and detail of embracing angels and men London,National Gallery (mk57)

Sandro Botticelli Crucifixion with the Penitent Magdalene and an Angel oil painting artist
 Click Image to Enlarge
Crucifixion with the Penitent Magdalene and an Angel
1498-1500 Cambridge(MA),Fogg Art Museum (mk57)

     Painting ID::  27049
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Crucifixion_with_the_Penitent_Magdalene_and_an_Angel
1498-1500 Cambridge(MA),Fogg Art Museum (mk57)

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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