Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli St Jerome in Penitence oil painting artist
 Click Image to Enlarge
St Jerome in Penitence
mk57

     Painting ID::  26999
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Jerome_in_Penitence
mk57

Sandro Botticelli St Eligius shoeing the detached leg of a horse oil painting artist
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St Eligius shoeing the detached leg of a horse
Florence,Galleria degli Uffizi (mk57)

     Painting ID::  27000
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Eligius_shoeing_the_detached_leg_of_a_horse
Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli Coronation of the Virgin,with Sts john the Evangelist,Augustine,Jerome and Eligius or San Marco Altarpiece oil painting artist
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Coronation of the Virgin,with Sts john the Evangelist,Augustine,Jerome and Eligius or San Marco Altarpiece
1488-1490 Florence,Galleria degli Uffizi (mk57)

     Painting ID::  27002
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Coronation_of_the_Virgin,with_Sts_john_the_Evangelist,Augustine,Jerome_and_Eligius_or_San_Marco_Altarpiece
1488-1490 Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli Trinity with Mary Magdalene,St john the Baptist,Tobias and the Angel oil painting artist
 Click Image to Enlarge
Trinity with Mary Magdalene,St john the Baptist,Tobias and the Angel
1490--1495 detail with Tobias and the angel London,Courtauld Institute (mk57)

     Painting ID::  27003
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Trinity_with_Mary_Magdalene,St_john_the_Baptist,Tobias_and_the_Angel
1490--1495 detail with Tobias and the angel London,Courtauld Institute (mk57)

Sandro Botticelli Fra Bartolomeo Portrait of Girolamo Savonarola oil painting artist
 Click Image to Enlarge
Fra Bartolomeo Portrait of Girolamo Savonarola
1498-1499 Florence,Museo di San Marco (mk57)

     Painting ID::  27004
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Fra_Bartolomeo_Portrait_of_Girolamo_Savonarola
1498-1499 Florence,Museo di San Marco (mk57)

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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