Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Madonna and Child with three Angels or Madonna of the Pavilion oil painting artist
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Madonna and Child with three Angels or Madonna of the Pavilion
c 1493 Milan,Pinacoteca Ambrosiana (mk57)

     Painting ID::  27032
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_and_Child_with_three_Angels_or_Madonna_of_the_Pavilion
c 1493 Milan,Pinacoteca Ambrosiana (mk57)

Sandro Botticelli Madonna and child with the Young St John or Madonna of the Rose Garden oil painting artist
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Madonna and child with the Young St John or Madonna of the Rose Garden
c 1495 Florence,Pitti,Galleria Palatina (mk57)

     Painting ID::  27033
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_and_child_with_the_Young_St_John_or_Madonna_of_the_Rose_Garden
c 1495 Florence,Pitti,Galleria Palatina (mk57)

Sandro Botticelli The Last Communion of St Jerome oil painting artist
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The Last Communion of St Jerome
1495-1500. New York,Metropolitan Museum of Art (mk57)

     Painting ID::  27035
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Last_Communion_of_St_Jerome
1495-1500. New York,Metropolitan Museum of Art (mk57)

Sandro Botticelli St Augustine in his Study oil painting artist
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St Augustine in his Study
1490-1495 Florence,Galleria degli Uffizi (mk57)

     Painting ID::  27036
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustine_in_his_Study
1490-1495 Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli Calumny oil painting artist
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Calumny
c 1494 detail of Remorse ,Portrayed as an old woman Dressed in black,and of the nude Truth Florence,Galleria degli Uffizi (mk57)

     Painting ID::  27038
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Calumny
c 1494 detail of Remorse ,Portrayed as an old woman Dressed in black,and of the nude Truth Florence,Galleria degli Uffizi (mk57)

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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