Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Detail of Cupid with eyes bandaged,shooting an arrow at Chastity oil painting artist
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Detail of Cupid with eyes bandaged,shooting an arrow at Chastity
one of the Three Graces.Florence,Galleria degli Uffizi (mk57)

     Painting ID::  26941
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Detail_of_Cupid_with_eyes_bandaged,shooting_an_arrow_at_Chastity
one of the Three Graces.Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli Primavera oil painting artist
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Primavera
c 1482 detail of the face of Flora,The Latin goddess of Spring.Florence,Galleria degli Uffizi

     Painting ID::  26945
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Primavera
c 1482 detail of the face of Flora,The Latin goddess of Spring.Florence,Galleria degli Uffizi

Sandro Botticelli Primavera oil painting artist
 Click Image to Enlarge
Primavera
c 1482 detail of Mercury Florence,Galleria degli Uffizi (mk57)

     Painting ID::  26949
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Primavera
c 1482 detail of Mercury Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli The Birth of Venus oil painting artist
 Click Image to Enlarge
The Birth of Venus
1484-1485 detail of Venus'face Florence,Galleria degli Uffizi (mk57)

     Painting ID::  26953
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Birth_of_Venus
1484-1485 detail of Venus'face Florence,Galleria degli Uffizi (mk57)

Sandro Botticelli The Birth of Venus oil painting artist
 Click Image to Enlarge
The Birth of Venus
1484--1485 detail of the Hour holding out to Venus a flowery red mantle.Florence,Galleria degli Uffizi (mk57)

     Painting ID::  26956
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Birth_of_Venus
1484--1485 detail of the Hour holding out to Venus a flowery red mantle.Florence,Galleria degli Uffizi (mk57)

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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