Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Trials of Christ oil painting artist
 Click Image to Enlarge
Trials of Christ
1481-1482 Vatican city,sistine chapel (mk57)

     Painting ID::  26901
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Trials_of_Christ
1481-1482 Vatican city,sistine chapel (mk57)

Sandro Botticelli Trials of Moses oil painting artist
 Click Image to Enlarge
Trials of Moses
1481--1482 detail of Moses removing his shoes.vatican city,sistine chapel (mk57)

     Painting ID::  26902
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Trials_of_Moses
1481--1482 detail of Moses removing his shoes.vatican city,sistine chapel (mk57)

Sandro Botticelli Trials of Christ oil painting artist
 Click Image to Enlarge
Trials of Christ
1481--1482 detail of young man weraring a mantle decorated with oak leaves,symbol of the della Rovere family (mk57)

     Painting ID::  26908
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Trials_of_Christ
1481--1482 detail of young man weraring a mantle decorated with oak leaves,symbol of the della Rovere family (mk57)

Sandro Botticelli Trials of Christ oil painting artist
 Click Image to Enlarge
Trials of Christ
1481--1482 datail of girl carrying firewood and putto with basket of grapes.vatican city,sistine Chapel.(mk57)

     Painting ID::  26910
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Trials_of_Christ
1481--1482 datail of girl carrying firewood and putto with basket of grapes.vatican city,sistine Chapel.(mk57)

Sandro Botticelli Punishment of the Rebels oil painting artist
 Click Image to Enlarge
Punishment of the Rebels
c 1481 detail vatican city,sistine chapel (mk57)

     Painting ID::  26913
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Punishment_of_the_Rebels
c 1481 detail vatican city,sistine chapel (mk57)

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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