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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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Mago wearing a red mantle
Piero the Gouty? (mk57)
Painting ID:: 26867
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Mago_wearing_a_red_mantle
Piero the Gouty? (mk57)
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Older Kneeling Mago
Cosimo the Elder (mk57)
Painting ID:: 26868
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Older_Kneeling_Mago
Cosimo the Elder (mk57)
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Young kneeling mago
Giovanni di Cosimo the Elder? (mk57)
Painting ID:: 26870
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Young_kneeling_mago
Giovanni di Cosimo the Elder? (mk57)
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Man in a short black tunic,standing on the right
Lorenzo the Magnificent? (mk57)
Painting ID:: 26872
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Man_in_a_short_black_tunic,standing_on_the_right
Lorenzo the Magnificent? (mk57)
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White-haired man in group at right
Guasparre Zanobi del Lama? (mk57)
Painting ID:: 26873
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White-haired_man_in_group_at_right
Guasparre Zanobi del Lama? (mk57)
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Sandro_Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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