Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Giusto Utens oil painting artist
 Click Image to Enlarge
Giusto Utens
The Villa di cafaggiolo (late 16 century)Florence,Museo Topografico. (mk57)

     Painting ID::  26884
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Giusto_Utens
The Villa di cafaggiolo (late 16 century)Florence,Museo Topografico. (mk57)

Sandro Botticelli St Augustine in his Study oil painting artist
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St Augustine in his Study
c 1480 detached fresco.Florence,Ognissanti. (mk57)

     Painting ID::  26885
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustine_in_his_Study
c 1480 detached fresco.Florence,Ognissanti. (mk57)

Sandro Botticelli Domenico Ghirlandaio oil painting artist
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Domenico Ghirlandaio
St jerome in his Study (c.1480)detached fresco. Florence,Ognissanti. (mk57)

     Painting ID::  26886
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Domenico_Ghirlandaio
St jerome in his Study (c.1480)detached fresco. Florence,Ognissanti. (mk57)

Sandro Botticelli St Augustine in his Study oil painting artist
 Click Image to Enlarge
St Augustine in his Study
c 1480 detail of lectern with open book.Florence,Ognissanti. (mk57

     Painting ID::  26887
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustine_in_his_Study
c 1480 detail of lectern with open book.Florence,Ognissanti. (mk57

Sandro Botticelli St Augustine in his Study oil painting artist
 Click Image to Enlarge
St Augustine in his Study
c 1480 detail of the armillary sphere.Florence,Ognissanti. (mk57

     Painting ID::  26890
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Augustine_in_his_Study
c 1480 detail of the armillary sphere.Florence,Ognissanti. (mk57

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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