Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Benozzo Gozzoli,Cavalcade of the Magi oil painting artist
 Click Image to Enlarge
Benozzo Gozzoli,Cavalcade of the Magi
1459 detail of the young mago(Lorenzo the Magnificent?) Florence,Palazzo Medici Riccardi (mk57)

     Painting ID::  26875
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Benozzo_Gozzoli,Cavalcade_of_the_Magi
1459 detail of the young mago(Lorenzo the Magnificent?) Florence,Palazzo Medici Riccardi (mk57)

Sandro Botticelli Adoration of the Magi oil painting artist
 Click Image to Enlarge
Adoration of the Magi
1475--1476 Florence,Galleria degli Uffizi. (mk57)

     Painting ID::  26878
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Adoration_of_the_Magi
1475--1476 Florence,Galleria degli Uffizi. (mk57)

Sandro Botticelli Young man in a yellow mantle (self-portrait of Botticelli) oil painting artist
 Click Image to Enlarge
Young man in a yellow mantle (self-portrait of Botticelli)
detail of the Adoration of the Magi (mk57)

     Painting ID::  26879
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Young_man_in_a_yellow_mantle_(self-portrait_of_Botticelli)
detail of the Adoration of the Magi (mk57)

Sandro Botticelli Pontormo,Portrait of Cosimo the Elder oil painting artist
 Click Image to Enlarge
Pontormo,Portrait of Cosimo the Elder
1519--1520 Florence,Galleria degli Uffizi. (mk57)

     Painting ID::  26880
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Pontormo,Portrait_of_Cosimo_the_Elder
1519--1520 Florence,Galleria degli Uffizi. (mk57)

Sandro Botticelli Palazzo Medici Riccardi (mk57) oil painting artist
 Click Image to Enlarge
Palazzo Medici Riccardi (mk57)
1444-1460 Florence (mk57)

     Painting ID::  26881
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Palazzo_Medici_Riccardi_(mk57)
1444-1460 Florence (mk57)

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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