Oil Painting Artist::. RAFFAELLO Sanzio

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     RAFFAELLO Sanzio
    Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

RAFFAELLO Sanzio Portrait of a Young Man. oil painting artist
 Click Image to Enlarge
Portrait of a Young Man.
c. 1509-11 Oil on parqueted board 59 x 75 cm (23.2 x 29.5 in) cjr

     Painting ID::  79895
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_Man.
c. 1509-11 Oil on parqueted board 59 x 75 cm (23.2 x 29.5 in) cjr

RAFFAELLO Sanzio Maria mit Christuskind und zwei Heiligen, Tondo oil painting artist
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Maria mit Christuskind und zwei Heiligen, Tondo
Date 1504-1505 Medium Oil on wood cjr

     Painting ID::  81904
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Maria_mit_Christuskind_und_zwei_Heiligen,_Tondo
Date 1504-1505 Medium Oil on wood cjr

RAFFAELLO Sanzio Portrait of a Youth oil painting artist
 Click Image to Enlarge
Portrait of a Youth
c. 1509-11 Medium oil on board Dimensions 59 x 75 cm (23.2 x 29.5 in) cjr

     Painting ID::  81951
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Youth
c. 1509-11 Medium oil on board Dimensions 59 x 75 cm (23.2 x 29.5 in) cjr

RAFFAELLO Sanzio Portrat des Fedra Inghirami oil painting artist
 Click Image to Enlarge
Portrat des Fedra Inghirami
1515 - 1516 Medium Oil on panel Dimensions 90 x 62 cm (35.4 x 24.4 in) cyf

     Painting ID::  82205
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_des_Fedra_Inghirami
1515 - 1516 Medium Oil on panel Dimensions 90 x 62 cm (35.4 x 24.4 in) cyf

RAFFAELLO Sanzio La fornarina or Portrait of a young woman oil painting artist
 Click Image to Enlarge
La fornarina or Portrait of a young woman
Date between 1518(1518) and 1519(1519) Medium Oil on wood Dimensions Height: 85 cm (33.5 in). Width: 60 cm (23.6 in). cjr

     Painting ID::  82493
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  La_fornarina_or_Portrait_of_a_young_woman
Date between 1518(1518) and 1519(1519) Medium Oil on wood Dimensions Height: 85 cm (33.5 in). Width: 60 cm (23.6 in). cjr

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     RAFFAELLO_Sanzio
    Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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