Oil Painting Artist::. RAFFAELLO Sanzio

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     RAFFAELLO Sanzio
    Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

RAFFAELLO Sanzio Madonna and Child oil painting artist
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Madonna and Child
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 40 cm (15.7 in). cjr

     Painting ID::  84027
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_and_Child
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 40 cm (15.7 in). cjr

RAFFAELLO Sanzio Angel oil painting artist
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Angel
Date between 1500(1500) and 1501(1501) Medium Oil on wood Dimensions Height: 57 cm (22.4 in). Width: 36 cm (14.2 in). cjr

     Painting ID::  84038
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Angel
Date between 1500(1500) and 1501(1501) Medium Oil on wood Dimensions Height: 57 cm (22.4 in). Width: 36 cm (14.2 in). cjr

RAFFAELLO Sanzio The Holy Family oil painting artist
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The Holy Family
Date 1518(1518) Medium Oil on canvas transferred from wood cjr

     Painting ID::  84041
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Holy_Family
Date 1518(1518) Medium Oil on canvas transferred from wood cjr

RAFFAELLO Sanzio Crucifixion oil painting artist
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Crucifixion
Date between 1502(1502) and 1503(1503) Medium Oil on wood Dimensions Height: 281 cm (110.6 in). Width: 165 cm (65 in). cjr

     Painting ID::  84043
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Crucifixion
Date between 1502(1502) and 1503(1503) Medium Oil on wood Dimensions Height: 281 cm (110.6 in). Width: 165 cm (65 in). cjr

RAFFAELLO Sanzio Elisabetta Gonzaga oil painting artist
 Click Image to Enlarge
Elisabetta Gonzaga
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 53 cm (20.9 in). Width: 37 cm (14.6 in). cjr

     Painting ID::  84051
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Elisabetta_Gonzaga
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 53 cm (20.9 in). Width: 37 cm (14.6 in). cjr

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Prev Artist       Next Artist     

     RAFFAELLO_Sanzio
    Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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