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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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Hl. Georg im Kampf mit dem Drachen
Date 1505(1505)
Medium Oil on wood
Dimensions Deutsch: 31 x 27 cm
cjr
Painting ID:: 83142
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Hl._Georg_im_Kampf_mit_dem_Drachen
Date 1505(1505)
Medium Oil on wood
Dimensions Deutsch: 31 x 27 cm
cjr
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Bridgewater Madonna
Date ca. 1507(1507)
Medium Oil on canvas transferred from panel
Dimensions Height: 81 cm (31.9 in). Width: 56 cm (22 in).
cjr
Painting ID:: 83527
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Bridgewater_Madonna
Date ca. 1507(1507)
Medium Oil on canvas transferred from panel
Dimensions Height: 81 cm (31.9 in). Width: 56 cm (22 in).
cjr
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Donna Velata
oil on canvas, 85 x 64 cm
cyf
Painting ID:: 83680
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Donna_Velata
oil on canvas, 85 x 64 cm
cyf
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Portrait of a Young Man
1514 Alternate: c. 1509-11
Medium Oil on parqueted board
Dimensions 59 x 75 cm (23.2 x 29.5 in)
cyf
Painting ID:: 83844
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Portrait_of_a_Young_Man
1514 Alternate: c. 1509-11
Medium Oil on parqueted board
Dimensions 59 x 75 cm (23.2 x 29.5 in)
cyf
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Retrato de Pietro Bembo
Date ca. 1504(1504)
Medium Oil on panel
Dimensions 54 x 39 cm
cjr
Painting ID:: 83887
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Retrato_de_Pietro_Bembo
Date ca. 1504(1504)
Medium Oil on panel
Dimensions 54 x 39 cm
cjr
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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