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Palma Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Portrait of a Young bride as Flora
mk170
circa 1520
Oil on wood
80x64cm
Painting ID:: 43373
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Portrait_of_a_Young_bride_as_Flora
mk170
circa 1520
Oil on wood
80x64cm
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Portrait of a Poet
mk170
1515-1520
Oil on canvas
83.8x63.5cm
Painting ID:: 43374
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Portrait_of_a_Poet
mk170
1515-1520
Oil on canvas
83.8x63.5cm
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Young Woman in Profile
Date Deutsch: um 1512/1514
Medium Deutsch: Pappelholz
Dimensions Deutsch: 49 x 42,4 cm
cyf
Painting ID:: 74290
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Young_Woman_in_Profile
Date Deutsch: um 1512/1514
Medium Deutsch: Pappelholz
Dimensions Deutsch: 49 x 42,4 cm
cyf
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Palma_Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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