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Palma Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Diana discovers Callisto's Misdemeanour
mk86
c.1525
Oil on canvas on wood
77.5x124cm
Vienna,Kunsthistorisches Museum
Painting ID:: 33484
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Diana_discovers_Callisto's_Misdemeanour
mk86
c.1525
Oil on canvas on wood
77.5x124cm
Vienna,Kunsthistorisches Museum
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Young Faunus Playing the Syrinx
mk141
ca.1513/15
Oil on poplar
19.6x16.4cm
Painting ID:: 38734
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Young_Faunus_Playing_the_Syrinx
mk141
ca.1513/15
Oil on poplar
19.6x16.4cm
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The Holy Family with Mary Magdalene and the Infant Saint John
mk156
c.1520
Oil on wood
87x117cm
Painting ID:: 40321
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The_Holy_Family_with_Mary_Magdalene_and_the_Infant_Saint_John
mk156
c.1520
Oil on wood
87x117cm
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Paola Priuli and Francesco Querini
mk157
1528
Oil on wood
82x73.5cm
Painting ID:: 41213
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Paola_Priuli_and_Francesco_Querini
mk157
1528
Oil on wood
82x73.5cm
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Portrait of a young bride as flora
mk170
circa 1520
Oil on wood
80x64cm
Painting ID:: 43049
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Portrait_of_a_young_bride_as_flora
mk170
circa 1520
Oil on wood
80x64cm
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Palma_Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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