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Friedrich Johann Overbeck
1789-1869
German
German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color.
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Joseph Being Sold by His Brothers
1816
Painting ID:: 1085
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Joseph_Being_Sold_by_His_Brothers
1816
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The Adoration of the Magi 2
1813
Painting ID:: 1091
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The_Adoration_of_the_Magi_2
1813
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The Adoration of the Magi (nn03)
1813
Oil on panel 49.7 x 66 m 19 1/2 x 26 in
Kunsthalle Hamburg
Painting ID:: 23445
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The_Adoration_of_the_Magi_(nn03)
1813
Oil on panel 49.7 x 66 m 19 1/2 x 26 in
Kunsthalle Hamburg
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Italia and Germania
mk87
1828
Oil on canvas
94.4x104.7cm
Munich,Neue Pinakothek
Painting ID:: 33904
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Italia_and_Germania
mk87
1828
Oil on canvas
94.4x104.7cm
Munich,Neue Pinakothek
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Italia and Germania after
1828 Oil on canvas, 95 x 105 cm Gemeldegalerie, Dresden This is a copy by the artist of the original (presently in the Neue Pinakothek, Munich) painted in Rome between 1811 and 1828.
Painting ID:: 62819
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Italia_and_Germania_after
1828 Oil on canvas, 95 x 105 cm Gemeldegalerie, Dresden This is a copy by the artist of the original (presently in the Neue Pinakothek, Munich) painted in Rome between 1811 and 1828.
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Friedrich_Johann_Overbeck
1789-1869
German
German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ Entry into Jerusalem and Christ Agony in the Garden. Overbeck sought to make his art serve religion. His influence was due more to the purity of his doctrine than to the power of his work, which is often lacking in pictorial appeal and in color.
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