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Palma Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Diana and Callisto
1525
Art History Museum, Vienna
Painting ID:: 1094
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Diana_and_Callisto
1525
Art History Museum, Vienna
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Portrait of a Woman
Painting ID:: 1096
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Portrait_of_a_Woman
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The Three Sisters (detail) dh
about 1520
Oil on wood, 88 x 123 cm (full painting)
Gemäldegalerie, Dresden
Painting ID:: 8430
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The_Three_Sisters_(detail)_dh
about 1520
Oil on wood, 88 x 123 cm (full painting)
Gemäldegalerie, Dresden
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Jacob and Rachel ag
1515-25
Oil on canvas, 146,5 x 250,5 cm
Gemäldegalerie, Dresden
Painting ID:: 8431
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Jacob_and_Rachel_ag
1515-25
Oil on canvas, 146,5 x 250,5 cm
Gemäldegalerie, Dresden
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Judith ag
Oil on canvas, 90 x 71 cm
Galleria degli Uffizi, Florence
Painting ID:: 8434
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Judith_ag
Oil on canvas, 90 x 71 cm
Galleria degli Uffizi, Florence
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Palma_Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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