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Palma Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Madonna and Child with Commissioners
mk65
Oil on canvas
transferred from panel
47x68"
Painting ID:: 29149
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Madonna_and_Child_with_Commissioners
mk65
Oil on canvas
transferred from panel
47x68"
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Portrait of a Man
mk65
Oil on canvas
37x28"
Painting ID:: 29287
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Portrait_of_a_Man
mk65
Oil on canvas
37x28"
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The Raising of Lazarus
mk67
Panel
37x43 5/16in
Uffizi,Gallery
Painting ID:: 29888
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The_Raising_of_Lazarus
mk67
Panel
37x43 5/16in
Uffizi,Gallery
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A Blonde Woman
nn07
Oil on wood, 77,5 x 64,1 cm
National Gallery, London
Painting ID:: 31362
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A_Blonde_Woman
nn07
Oil on wood, 77,5 x 64,1 cm
National Gallery, London
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Sacred Conversation
c. 1525
Oil on canvas, 127 x 195 cm
Painting ID:: 32436
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Sacred_Conversation
c. 1525
Oil on canvas, 127 x 195 cm
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Palma_Vecchio
1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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