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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Portrait of Napoleon Bonaparte, The First Council.
1804
Oil on canvas.
Musee des Beaux-Arts
Liege, France
Painting ID:: 10473
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Portrait_of_Napoleon_Bonaparte,_The_First_Council.
1804
Oil on canvas.
Musee des Beaux-Arts
Liege, France
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Portrait of Mademoiselle Riviere.
1805.
Oil on canvas. Louvre
Painting ID:: 10474
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Portrait_of_Mademoiselle_Riviere.
1805.
Oil on canvas. Louvre
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Portrait of Napoleon on the Imperial Throne
1806. Oil on canvas.
Musee de l'Arm??e, Paris
Painting ID:: 10475
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Portrait_of_Napoleon_on_the_Imperial_Throne
1806. Oil on canvas.
Musee de l'Arm??e, Paris
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The Bather of Valpincon
1808. Oil on canvas.
Louvre, Paris, France
Painting ID:: 10476
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The_Bather_of_Valpincon
1808. Oil on canvas.
Louvre, Paris, France
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Jupiter and Thetis.
1811.Oil on canvas
Museum Granet,
Aix-en-Provence,France
Painting ID:: 10477
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Jupiter_and_Thetis.
1811.Oil on canvas
Museum Granet,
Aix-en-Provence,France
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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