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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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The Turkish Bath
1862. Oil on wood
Louvre, Paris, France
Painting ID:: 10489
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The_Turkish_Bath
1862. Oil on wood
Louvre, Paris, France
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Jupiter and Antiope
1851, 13" x 17 1/4" (32.5 x 43.5 cm), Bequest of Paul Cosson, 1926. Deposit from the Louvre.
Painting ID:: 10811
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Jupiter_and_Antiope
1851, 13" x 17 1/4" (32.5 x 43.5 cm), Bequest of Paul Cosson, 1926. Deposit from the Louvre.
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La Grande Odalisque (mk04)
Mixed media on paper,
48x63cm
Musee Prcasso,Paris
Painting ID:: 20379
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La_Grande_Odalisque_(mk04)
Mixed media on paper,
48x63cm
Musee Prcasso,Paris
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Portrait of Ins Moitessier (mk04)
1856
Oil on canvas,
120x92.1cm
National Gallery.
London
Painting ID:: 20380
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Portrait_of_Ins_Moitessier_(mk04)
1856
Oil on canvas,
120x92.1cm
National Gallery.
London
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Portrait fo Jean-Marie-Joseph Ingres (mk04)
1804
Oil on canvas,
55x47cm
Musee Ingres,Montauban
Painting ID:: 20385
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Portrait_fo_Jean-Marie-Joseph_Ingres_(mk04)
1804
Oil on canvas,
55x47cm
Musee Ingres,Montauban
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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