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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Romulus as Conqueror of King Acron (mk04)
1811-1812
Oil on canvas.
276x530cm
Musee du Louvre,
Paris
Painting ID:: 20407
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Romulus_as_Conqueror_of_King_Acron_(mk04)
1811-1812
Oil on canvas.
276x530cm
Musee du Louvre,
Paris
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The Dream of Ossian (mk04)
1812-1813
Oil on canvas,
348x275cm
Musee Ingres,
Montauban
Painting ID:: 20409
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The_Dream_of_Ossian_(mk04)
1812-1813
Oil on canvas,
348x275cm
Musee Ingres,
Montauban
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The Death of Leonardo da Vinci (mk04)
1818
Oil on canvas
40x50.5cm
Musee du Petit Palais,
Paris
Painting ID:: 20412
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The_Death_of_Leonardo_da_Vinci_(mk04)
1818
Oil on canvas
40x50.5cm
Musee du Petit Palais,
Paris
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Raphael and La Fornarina (mk04)
Oil on canvas,
66.3x55.6cm
Fogg Art Museum,
Cambridge
Painting ID:: 20414
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Raphael_and_La_Fornarina_(mk04)
Oil on canvas,
66.3x55.6cm
Fogg Art Museum,
Cambridge
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Ingres Posing for the Figure of the Virgin in the Vow of Louis XIII (MK04)
c.1822-1824
pencil on paper,
42.5x23cm
Musee Ingres
Montauban
Painting ID:: 20417
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Ingres_Posing_for_the_Figure_of_the_Virgin_in_the_Vow_of_Louis_XIII_(MK04)
c.1822-1824
pencil on paper,
42.5x23cm
Musee Ingres
Montauban
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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