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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Portrait of Countess D'Haussonville.
1845. Oil on canvas
Frick Collection, NY
Painting ID:: 10483
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Portrait_of_Countess_D'Haussonville.
1845. Oil on canvas
Frick Collection, NY
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Portrait of Baroness James de Rothschild
1848. Oil on canvas
Collection of Guy de
Rothschild, Paris, France
Painting ID:: 10484
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Portrait_of_Baroness_James_de_Rothschild
1848. Oil on canvas
Collection of Guy de
Rothschild, Paris, France
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Portrait of Madame Moitessier Standing
1851. Oil on canvas
National Gallery of Art
Washington, DC, USA
Painting ID:: 10485
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Portrait_of_Madame_Moitessier_Standing
1851. Oil on canvas
National Gallery of Art
Washington, DC, USA
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The Source.
1856
Oil on canvas. Louvre
Painting ID:: 10487
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The_Source.
1856
Oil on canvas. Louvre
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Portrait of Madame Moitessier Sitting.
1856.Oil on canvas
National Gallery,London
Painting ID:: 10488
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Portrait_of_Madame_Moitessier_Sitting.
1856.Oil on canvas
National Gallery,London
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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